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The Cambridge Stravinsky Encyclopedia

The Cambridge Stravinsky Encyclopedia

The Cambridge Stravinsky Encyclopedia

Editors:
Edward Campbell, University of Aberdeen
Peter O'Hagan, Roehampton University, London
Edward Campbell, Tatiana Baranova Monighetti, Nigel Simeone, Katherine Levidou, Christoph Neidhöfer, Daniel Jaffé, Sophie Redfern, Helen Julia Minors, Kathryn Puffett, Maureen Carr, Chris Collins, Svetlana Savenko, Barbara L. Kelly, Ivan Moody, Marina Lupishko, Matthew Paul Carlson, Lois Fitch, Jeremy Coleman, Stephanie Jordan, Barbara Swanson, Charles M. Joseph, Millicent Hodson, Leila Zickgraf, Jane Pritchard, Katherine Levidou, David Evans, Gayle Murchison, Lorin Johnson, Arnold Whittall, Susanne Gärtner, Marcos Mesquita, Lutero Rodrigues, Valérie Dufour, Nicolas Bell, Ben Earle, Ihor Junyk, Joseph Schultz, Phillip Mackenzie, Graham Griffiths, Don Traut, Florian Henri Besthorn, Caroline Potter, Deborah Mawer, Elena Vereshchagina, Massimiliano Locanto, Christoph Flamm, Natalia Braginskaya, Johanna Frymoyer, Susanna Pasticci, Werner Strinz, Richard Desinord, Peter Hill, Stéphane Pétermann, Pieter C. Van Den Toorn, Cécile Auzolle, Sebastian Forbes, Mark Mcfarland, Olga Manulkina, Daniel Jaffe, Peter O'Hagan, Harry Joelson, Felix Meyer, David H. Smyth, Lynne Rogers, Flo Menezes, Marie Stravinsky, Marie-Pier Leduc
Published:
October 2021
Availability:
Available
Format:
Hardback
ISBN:
9781107140875

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    Igor Stravinsky is one of a small number of early modernist composers whose music epitomises the stylistic crisis of twentieth-century music, from the Russian nationalist heritage of the early works, the neo-classical works which anticipate the stylistic diversity of the contemporary musical scene in the early twenty-first century and the integration of serial techniques during his final period. With entries written by more than fifty international contributors from Russian, European and American traditions, The Cambridge Stravinsky Encyclopedia presents multiple perspectives on the life, works, writings and aesthetic relationships of this multi-faceted creative artist. This important resource explores Stravinsky's relationships with virtually all the major artistic figures of his time, painters, dramatists, choreographers and producers as well musicians and brings together fresh insights into to the life and work of one of the twentieth century's greatest composers.

    • Includes over 430 concise but detailed entries on Stravinsky's work and creative and personal relationships
    • Provides comprehensive and up-to-date coverage of Stravinsky's musical works, writings and creative collaboration from a range of international perspectives
    • Explores Stravinsky's inter-disciplinary work and engagements with other musicians, writers, visual artists, dancers and impresarios

    Reviews & endorsements

    ‘… it represents an important contribution to 21st-century Stravinsky scholarship and deserves its place in university and public libraries.’ Howard Dyck, The Music Times

    ‘Providing updates and new perspectives on the composer, this encyclopedia is a welcome addition to the literature … Recommended. ’ B. Doherty, Choice Connect

    See more reviews

    Product details

    October 2021
    Hardback
    9781107140875
    578 pages
    235 × 158 × 32 mm
    1.03kg
    2 tables 19 music examples
    Available

    Table of Contents

    • List of Music Examples
    • List of Contributors
    • Editor's Preface
    • Acknowledgements
    • Abbreviations
    • Entries A-Z
    • Appendix 1: Musical Works
    • Appendix 2: Selected Sound Recordings
    • Select Bibliography
    • Index
      Contributors
    • Edward Campbell, Tatiana Baranova Monighetti, Nigel Simeone, Katherine Levidou, Christoph Neidhöfer, Daniel Jaffé, Sophie Redfern, Helen Julia Minors, Kathryn Puffett, Maureen Carr, Chris Collins, Svetlana Savenko, Barbara L. Kelly, Ivan Moody, Marina Lupishko, Matthew Paul Carlson, Lois Fitch, Jeremy Coleman, Stephanie Jordan, Barbara Swanson, Charles M. Joseph, Millicent Hodson, Leila Zickgraf, Jane Pritchard, Katherine Levidou, David Evans, Gayle Murchison, Lorin Johnson, Arnold Whittall, Susanne Gärtner, Marcos Mesquita, Lutero Rodrigues, Valérie Dufour, Nicolas Bell, Ben Earle, Ihor Junyk, Joseph Schultz, Phillip Mackenzie, Graham Griffiths, Don Traut, Florian Henri Besthorn, Caroline Potter, Deborah Mawer, Elena Vereshchagina, Massimiliano Locanto, Christoph Flamm, Natalia Braginskaya, Johanna Frymoyer, Susanna Pasticci, Werner Strinz, Richard Desinord, Peter Hill, Stéphane Pétermann, Pieter C. Van Den Toorn, Cécile Auzolle, Sebastian Forbes, Mark Mcfarland, Olga Manulkina, Daniel Jaffe, Peter O'Hagan, Harry Joelson, Felix Meyer, David H. Smyth, Lynne Rogers, Flo Menezes, Marie Stravinsky, Marie-Pier Leduc

    • Editors
    • Edward Campbell , University of Aberdeen

      Edward Campbell is Professor of Music at the University of Aberdeen where he specialises in contemporary European art music and aesthetics. His published work includes the books Boulez Music and Philosophy (2010), Music after Deleuze (2013) and the co-edited volume Pierre Boulez Studies (2016).

    • Peter O'Hagan , Roehampton University, London

      Peter O'Hagan is a Southlands College Fellow at University of Roehampton, London. He is a pianist and writer specialising in contemporary music and has given numerous concerts at London's South Bank Centre and Wigmore Hall, as well as at festivals of contemporary music in Europe and the USA.